{"id":801,"date":"2018-11-10T11:39:10","date_gmt":"2018-11-10T10:39:10","guid":{"rendered":"http:\/\/imuz.strony.uw.edu.pl\/?page_id=801"},"modified":"2026-02-27T21:06:44","modified_gmt":"2026-02-27T20:06:44","slug":"dr-agnieszka-chwilek","status":"publish","type":"page","link":"http:\/\/imuz.uw.edu.pl\/en\/instytut\/pracownicy\/dr-agnieszka-chwilek\/","title":{"rendered":"dr Agnieszka Chwi\u0142ek"},"content":{"rendered":"<p style=\"font-weight: 400\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-51 alignnone\" src=\"http:\/\/imuz.uw.edu.pl\/wp-content\/uploads\/sites\/348\/2018\/10\/chwilek-225x300.jpg\" alt=\"\" width=\"190\" height=\"253\" srcset=\"http:\/\/imuz.strony.uw.edu.pl\/wp-content\/uploads\/sites\/348\/2018\/10\/chwilek-225x300.jpg 225w, http:\/\/imuz.strony.uw.edu.pl\/wp-content\/uploads\/sites\/348\/2018\/10\/chwilek-768x1024.jpg 768w, http:\/\/imuz.strony.uw.edu.pl\/wp-content\/uploads\/sites\/348\/2018\/10\/chwilek.jpg 1704w\" sizes=\"auto, (max-width: 190px) 100vw, 190px\" \/><\/p>\n<p style=\"font-weight: 400\"><span class=\"su-dropcap su-dropcap-style-light\" style=\"font-size:1.5em\"> G<\/span>raduate of the Institute of Musicology, University of Warsaw (master\u2019s thesis: \u201cFugues in Karol Szymanowski\u2019s oeuvre\u201d, written under the supervision of Prof. dr hab. Zofia Helman). In 1994\u20132002 she was an assistant lecturer at the Music Theory and Aesthetics Unit of the Institute of Musicology. In 2002 she submitted a doctoral thesis, \u201cRobert Schumann\u2019s piano cycles<em>.<\/em> The aesthetic idea of unity and its technical implementation\u201d, also written under the supervision of Prof. dr hab. Zofia Helman. She specialises in the history of nineteenth- and twentieth-century music, and analysis of musical works. Her research interests focus on the oeuvres of Robert Schumann, Fryderyk Chopin, Karol Szymanowski, as well as Polish and European piano and chamber music in the nineteenth century.<\/p>","protected":false},"excerpt":{"rendered":"<p>raduate of the Institute of Musicology, University of Warsaw (master\u2019s thesis: \u201cFugues in Karol Szymanowski\u2019s oeuvre\u201d, written under the supervision<\/p>\n","protected":false},"author":914,"featured_media":0,"parent":426,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-801","page","type-page","status-publish","hentry"],"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-10-07 23:21:59","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"http:\/\/imuz.uw.edu.pl\/en\/wp-json\/wp\/v2\/pages\/801","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/imuz.uw.edu.pl\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/imuz.uw.edu.pl\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/imuz.uw.edu.pl\/en\/wp-json\/wp\/v2\/users\/914"}],"replies":[{"embeddable":true,"href":"http:\/\/imuz.uw.edu.pl\/en\/wp-json\/wp\/v2\/comments?post=801"}],"version-history":[{"count":8,"href":"http:\/\/imuz.uw.edu.pl\/en\/wp-json\/wp\/v2\/pages\/801\/revisions"}],"predecessor-version":[{"id":9790,"href":"http:\/\/imuz.uw.edu.pl\/en\/wp-json\/wp\/v2\/pages\/801\/revisions\/9790"}],"up":[{"embeddable":true,"href":"http:\/\/imuz.uw.edu.pl\/en\/wp-json\/wp\/v2\/pages\/426"}],"wp:attachment":[{"href":"http:\/\/imuz.uw.edu.pl\/en\/wp-json\/wp\/v2\/media?parent=801"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}