{"id":5687,"date":"2022-02-27T13:41:16","date_gmt":"2022-02-27T12:41:16","guid":{"rendered":"http:\/\/imuz.uw.edu.pl\/?page_id=5687"},"modified":"2026-05-04T12:29:50","modified_gmt":"2026-05-04T10:29:50","slug":"granty","status":"publish","type":"page","link":"http:\/\/imuz.uw.edu.pl\/en\/dzialalnosc-naukowa\/granty\/","title":{"rendered":"Research projects"},"content":{"rendered":"<table style=\"width: 100%;border-collapse: collapse\">\n<thead>\n<tr>\n<td style=\"width: 33.333333%\"><strong>Founding source<\/strong><\/td>\n<td style=\"width: 47.197962%\"><strong>Title<\/strong><\/td>\n<td style=\"width: 19.468705%\"><strong>Completion date<\/strong><\/td>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td style=\"width: 33.333333%\">\n<p>KE (Horyzont 2020)<\/p>\n<p>Marie Sk\u0142odowska-Curie Individual Fellowships<\/td>\n<td style=\"width: 47.197962%\">\n<p class=\"project-title\"><span style=\"text-decoration: underline\"><a href=\"https:\/\/cordis.europa.eu\/project\/id\/890285\/pl\" target=\"_blank\" rel=\"noopener\">Musical Materialities and Conduits of Culture: Reveaing the Hidden Histories of Music during Poland&#8217;s &#8216;Golden Age&#8217; (c. 1475\u20131600)<\/a><\/span><\/p>\n<p>Principal investigator: dr Emily Peppers<\/td>\n<td style=\"width: 19.468705%\">01.09.2026<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 33.333333%\">\n<p>Ministerstwo Edukacji i Nauki<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"\" src=\"http:\/\/imuz.uw.edu.pl\/wp-content\/uploads\/sites\/348\/2022\/03\/znaki_strona_www.png\" width=\"278\" height=\"92\" \/><\/td>\n<td style=\"width: 47.197962%\">\n<p class=\"project-title\"><span style=\"text-decoration: underline\"><a href=\"http:\/\/imuz.uw.edu.pl\/dzialalnosc-naukowa\/granty\/grant-emily-peppers\/\">Zabytki muzycznego dziedzictwa oraz \u015bcie\u017cki kultury: odkrywanie ukrytych historii muzyki w czasie polskiego &#8220;z\u0142otego wieku&#8221; (1475\u20131600)<\/a><\/span><\/p>\n<p>Principal investigator: dr Emily Peppers<\/td>\n<td style=\"width: 19.468705%\">01.09.2026<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 33.333333%\">\n<p>Narodowy Program Rozwoju Humanistyki<\/p>\n<p><a href=\"http:\/\/imuz.uw.edu.pl\/nprh_logo\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5686\" src=\"http:\/\/imuz.uw.edu.pl\/wp-content\/uploads\/sites\/348\/2022\/02\/NPRH_logo.jpeg\" alt=\"\" width=\"215\" height=\"47\" \/><\/a><\/td>\n<td style=\"width: 47.197962%\">&nbsp;<\/p>\n<p style=\"font-weight: 400\"><a href=\"http:\/\/slownikmuzykow.pl\/\">Lexicon of Musicians in the Polish-Lithuanian Commonwealth in the Eighteen-Century<\/a><\/p>\n<p>Principal investigator: dr hab. Irena Bie\u0144kowska, prof. ucz.<\/td>\n<td style=\"width: 19.468705%\">05.04.2025<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 33.333333%\">Inicjatywa Doskona\u0142o\u015bci \u2013 Uczelnia Badawcza<br \/>\n(Uniwersytet Warszawski, Ministerstwo Edukacji i Nauki)<\/td>\n<td style=\"width: 47.197962%\">\n<p><span style=\"text-decoration: underline\">New Sources \u2013 New perspectives<\/span><\/p>\n<p>Principal investigator: dr Tomasz G\u00f3rny<\/td>\n<td style=\"width: 19.468705%\">30.06.2023<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 33.333333%\">\n<p>Ministerstwo Edukacji i Nauki<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"\" src=\"http:\/\/imuz.uw.edu.pl\/wp-content\/uploads\/sites\/348\/2022\/03\/znaki_strona_www.png\" width=\"278\" height=\"92\" \/><\/td>\n<td style=\"width: 47.197962%\">\n<p style=\"font-weight: 400\"><a href=\"http:\/\/imuz.uw.edu.pl\/dzialalnosc-naukowa\/granty\/grant-anastazji-niakrasavej\/\">Using the results of ethnomusicological research in teaching and artistic projects<\/a><\/p>\n<p>Principal investigator: mgr Anastasiya Niakrasava<\/td>\n<td style=\"width: 19.468705%\">28.02.2023<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 33.333333%\">\n<p>Narodowy Program Rozwoju Humanistyki<\/p>\n<p><a href=\"http:\/\/imuz.uw.edu.pl\/nprh_logo\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5686\" src=\"http:\/\/imuz.uw.edu.pl\/wp-content\/uploads\/sites\/348\/2022\/02\/NPRH_logo.jpeg\" alt=\"\" width=\"215\" height=\"47\" \/><\/a><\/td>\n<td style=\"width: 47.197962%\">\n<div><u><span lang=\"EN-GB\">The Correspondence of Fryderyk Chopin \u2013 critical source edition, volume III (June 1839\u2013October 1849)<\/span><\/u><\/div>\n<p>Principal investigator: prof. dr hab. Zbigniew Skowron<\/td>\n<td style=\"width: 19.468705%\">28.12.2022<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 33.333333%\">\n<p>Narodowe Centrum Nauki<\/p>\n<p><a href=\"http:\/\/imuz.uw.edu.pl\/ncn_logo\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5685\" src=\"http:\/\/imuz.uw.edu.pl\/wp-content\/uploads\/sites\/348\/2022\/02\/ncn_logo.png\" alt=\"\" width=\"157\" height=\"50\" \/><\/a><\/p>\n<p>Opus<\/td>\n<td style=\"width: 47.197962%\">\n<p class=\"project-title\"><span style=\"text-decoration: underline\"><a href=\"https:\/\/projekty.ncn.gov.pl\/index.php?projekt_id=377041\" target=\"_blank\" rel=\"noopener\">W cieniu kapeli kr\u00f3lewskiej. Muzyka i patronat muzyczny ministr\u00f3w dworu polsko-saskiego w czasach panowania Augusta II i Augusta III \u2013 Jakoba Henryka Flemminga, Christopha Augusta Wackerbartha i Aleksandra Su\u0142kowskiego<\/a><\/span><\/p>\n<p>Principal investigator: dr hab. Szymon Paczkowski, prof. ucz.<\/td>\n<td style=\"width: 19.468705%\">24.01.2022<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 33.333333%\">\n<p>Narodowe Centrum Nauki<\/p>\n<p><a href=\"http:\/\/imuz.uw.edu.pl\/ncn_logo\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5685\" src=\"http:\/\/imuz.uw.edu.pl\/wp-content\/uploads\/sites\/348\/2022\/02\/ncn_logo.png\" alt=\"\" width=\"157\" height=\"50\" \/><\/a><\/p>\n<p>Beethoven<\/td>\n<td style=\"width: 47.197962%\">\n<p class=\"project-title\"><span style=\"text-decoration: underline\"><a href=\"https:\/\/projekty.ncn.gov.pl\/index.php?projekt_id=350267\" target=\"_blank\" rel=\"noopener\">PASTICCIO. Sposoby przygotowania atrakcyjnych oper<\/a><\/span><\/p>\n<p>Principal investigator: dr Aneta Maruszewska<\/td>\n<td style=\"width: 19.468705%\">02.05.2022<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 33.333333%\">\n<p>Narodowy Program Rozwoju Humanistyki<\/p>\n<p><a href=\"http:\/\/imuz.uw.edu.pl\/nprh_logo\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5686\" src=\"http:\/\/imuz.uw.edu.pl\/wp-content\/uploads\/sites\/348\/2022\/02\/NPRH_logo.jpeg\" alt=\"\" width=\"215\" height=\"47\" \/><\/a><\/td>\n<td style=\"width: 47.197962%\">\n<p class=\"project-title\"><span style=\"text-decoration: underline\"><a href=\"http:\/\/fontesmusicae.pl\/repertuar-muzyczny-towarzystwa-jezusowego-w-rzeczpospolitej-obojga-narodow-1565-1773\/\">Musical repertoire of the Society of Jesus in the Polish-Lithuanian Commonwealth (1565\u20131773)<\/a><\/span><\/p>\n<p>Principal investigator: dr hab. Tomasz Je\u017c, prof. ucz.<\/td>\n<td style=\"width: 19.468705%\">14.01.2022<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 33.333333%\">\n<p>Narodowe Centrum Nauki<\/p>\n<p><a href=\"http:\/\/imuz.uw.edu.pl\/ncn_logo\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5685\" src=\"http:\/\/imuz.uw.edu.pl\/wp-content\/uploads\/sites\/348\/2022\/02\/ncn_logo.png\" alt=\"\" width=\"157\" height=\"50\" \/><\/a><\/p>\n<p>Sonata<\/td>\n<td style=\"width: 47.197962%\">\n<p style=\"font-weight: 400\"><a href=\"https:\/\/projekty.ncn.gov.pl\/index.php?projekt_id=358399\">\u201cAcoustic wallpaper\u201d in the public space \u2013 from musique d\u2019ameublement to audio marketing<\/a><\/p>\n<p>Principal investigator: dr Sylwia Makomaska<\/td>\n<td style=\"width: 19.468705%\">10.12.2021<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 33.333333%\">\n<p>Narodowy Program Rozwoju Humanistyki<\/p>\n<p><a href=\"http:\/\/imuz.uw.edu.pl\/nprh_logo\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5686\" src=\"http:\/\/imuz.uw.edu.pl\/wp-content\/uploads\/sites\/348\/2022\/02\/NPRH_logo.jpeg\" alt=\"\" width=\"215\" height=\"47\" \/><\/a><\/td>\n<td style=\"width: 47.197962%\">\n<p style=\"font-weight: 400\"><u>Archaeological musical instruments in Polish museum collections<\/u><\/p>\n<p>Principal investigator: dr hab. Anna Gruszczy\u0144ska-Zi\u00f3\u0142kowska, prof. ucz.<\/td>\n<td style=\"width: 19.468705%\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;","protected":false},"excerpt":{"rendered":"<p>Founding source Title Completion date KE (Horyzont 2020) Marie Sk\u0142odowska-Curie Individual Fellowships Musical Materialities and Conduits of Culture: Reveaing the<\/p>\n","protected":false},"author":907,"featured_media":0,"parent":211,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-with-widget.php","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-5687","page","type-page","status-publish","hentry"],"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-08-03 17:46:27","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"http:\/\/imuz.uw.edu.pl\/en\/wp-json\/wp\/v2\/pages\/5687","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/imuz.uw.edu.pl\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/imuz.uw.edu.pl\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/imuz.uw.edu.pl\/en\/wp-json\/wp\/v2\/users\/907"}],"replies":[{"embeddable":true,"href":"http:\/\/imuz.uw.edu.pl\/en\/wp-json\/wp\/v2\/comments?post=5687"}],"version-history":[{"count":35,"href":"http:\/\/imuz.uw.edu.pl\/en\/wp-json\/wp\/v2\/pages\/5687\/revisions"}],"predecessor-version":[{"id":10006,"href":"http:\/\/imuz.uw.edu.pl\/en\/wp-json\/wp\/v2\/pages\/5687\/revisions\/10006"}],"up":[{"embeddable":true,"href":"http:\/\/imuz.uw.edu.pl\/en\/wp-json\/wp\/v2\/pages\/211"}],"wp:attachment":[{"href":"http:\/\/imuz.uw.edu.pl\/en\/wp-json\/wp\/v2\/media?parent=5687"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}