{"id":1574,"date":"2018-12-14T22:42:10","date_gmt":"2018-12-14T21:42:10","guid":{"rendered":"http:\/\/imuz.strony.uw.edu.pl\/?page_id=1574"},"modified":"2023-07-25T22:10:34","modified_gmt":"2023-07-25T20:10:34","slug":"czasopisma","status":"publish","type":"page","link":"http:\/\/imuz.uw.edu.pl\/en\/dzialalnosc-naukowa\/publikacje\/czasopisma\/","title":{"rendered":"Periodicals"},"content":{"rendered":"

Musicology Today<\/h1>\n

\"\"<\/a><\/p>\n

Musicology Today is a double blind peer reviewed journal published since 2004 by Institute of Musicology, University of Warsaw and Union of Polish Composers, Poland.<\/p>\n

The main objective of Musicology Today<\/em> is to provide an intellectual platform for the international scholars and to promote interdisciplinary studies in musicology and become the leading musicological journal in Central and Eastern Europe. We publish articles and book reviews in the fields of historical musicology, ethnomusicology, music theory, and philosophy of music.<\/p>\n

Musicology Today<\/em> is a forum for research in all areas of music scholarship, seeking to reflect the breadth and diversity of approaches and topics. Musicology Today<\/em> especially promotes studies on Central and Eastern European music. Special issues devoted to important topics in Central and Eastern musicology will occasionally be published.<\/p>\n

\u201eMusicology Today\u201d is financed by the Ministry<\/span> of Science and Higher Education.<\/span>
\n\"\"<\/p>\n

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Deconstructing the Myth of Polishness in Music, vol. 15, 2018<\/td>\nTOC<\/a><\/td>\n<\/tr>\n
Warsaw Autumn Festival, vol. 14, 2017<\/td>\nTOC<\/a><\/td>\n<\/tr>\n
[Polish] Musicology Today, vol. 13, 2016<\/td>\nTOC<\/a><\/td>\n<\/tr>\n
The Musical Languages of Contemporary Polish Composers: Self-Reflections, vol. 12, 2015<\/td>\nTOC<\/a><\/td>\n<\/tr>\n
Oskar Kolberg, vol.11, 2014<\/td>\nTOC<\/a><\/td>\n<\/tr>\n
Musical Historiography in Poland. New Sources\u00a0\u2013 New Methodologies,\u00a0vol.10, 2013<\/td>\nTOC<\/a><\/td>\n<\/tr>\n
100 Years of Polish Musicology, vol. 9, 2012<\/td>\nTOC<\/a><\/td>\n<\/tr>\n
\u00c9migr\u00e9 Composers, vol. 8, 2011<\/td>\nTOC<\/a><\/td>\n<\/tr>\n
Music Traditions in Totalitarian Systems, vol. 7, 2010<\/td>\nTOC<\/a><\/td>\n<\/tr>\n
Polish studies on Baroque music, vol. 6, 2009<\/td>\nTOC<\/a><\/td>\n<\/tr>\n
Karol Szymanowski: works – reception – contexts, vol. 5, 2008<\/td>\nTOC<\/a><\/td>\n<\/tr>\n
Anthropology \u2013 History \u2013 Analysis, vol. 4, 2007<\/td>\nTOC<\/a><\/td>\n<\/tr>\n
Poland in Europe: Musical Sources – Repertoire – Style, vol. 3, 2006<\/td>\nTOC<\/a><\/td>\n<\/tr>\n
Poland in Europe. Imitation or Interaction of Musical Models?, vol. 2, 2005<\/td>\nTOC<\/a><\/td>\n<\/tr>\n
Polish Musical Culture within the European Context, vol. 1, 2004<\/td>\nTOC<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\nIssues 1\u20139:\u00a0http:\/\/musicologytoday.hist.pl<\/a>.<\/p>\n

Issues 10\u201314:\u00a0Sciendo.<\/a><\/p>\n

\n

Przegl\u0105d Muzykologiczny<\/h1>\n

\"\"<\/a> [Musicological Review]\n

In 2001\u20132015 this annual publication of the Institute of Musicology, University of Warsaw, was a scholarly forum of the biggest musicological institution in Poland.<\/p>\n

The main aim of the periodical was to present the research carried out by the employees from all of the Institute\u2019s units as well as its doctoral, graduate and undergraduate students. The topics of the published papers ranged from general music history and history of Polish music (from the Middle Ages until the twentieth century), music theory and aesthetics, acoustics, musical anthropology and archaeology, as well as Polish and foreign ethnomusicology. A separate section of the journal reflected the international cooperation of the Institute \u2013 by featuring papers by foreign authors. Being trade journal, Przegl\u0105d Muzykologiczny<\/em> was nevertheless also addressed to a broader readership in Poland and abroad, people interested in the various fields of contemporary musicology.<\/p>\n

\n\n\n\n\n\n\n\n\n\n\n\n\n
\u201ePrzegl\u0105d Muzykologiczny”, nr 10, Warszawa 2015<\/td>\nTOC<\/a><\/td>\n<\/tr>\n
\u201ePrzegl\u0105d Muzykologiczny”, nr 9, Warszawa 2013<\/td>\nTOC<\/a><\/td>\n<\/tr>\n
\u201ePrzegl\u0105d Muzykologiczny”, nr 8, Warszawa 2011<\/td>\nTOC<\/a><\/td>\n<\/tr>\n
\u201ePrzegl\u0105d\u00a0Muzykologiczny”, nr 7, Warszawa 2009<\/td>\nTOC<\/td>\n<\/tr>\n
\u201ePrzegl\u0105d Muzykologiczny”, nr 6, Warszawa 2007<\/td>\nTOC<\/a><\/td>\n<\/tr>\n
\u201ePrzegl\u0105d Muzykologiczny”, nr 5, Warszawa 2006<\/td>\nTOC<\/a><\/td>\n<\/tr>\n
\u201ePrzegl\u0105d Muzykologiczny”, nr 4, Warszawa 2004<\/td>\nTOC<\/a><\/td>\n<\/tr>\n
\u201ePrzegl\u0105d Muzykologiczny”, nr 3, Warszawa 2003<\/td>\nTOC<\/a><\/td>\n<\/tr>\n
\u201ePrzegl\u0105d Muzykologiczny”, nr 2, Warszawa 2002<\/td>\nTOC<\/a><\/td>\n<\/tr>\n
\u201ePrzegl\u0105d Muzykologiczny”, nr 1, Warszawa 2001<\/td>\nTOC<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>","protected":false},"excerpt":{"rendered":"

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